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OK, this record was released in November 2008, but I didn't know about it until mid-2009. My Blog = My Rules. I've loved every one of Mathieu Boogaerts' records since my friend Justin first introduced me to his music a few years ago. It's catchy, charming, quirky and largely impenetrable to a non-French speaker such as myself.
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It took months and months for this record to finally work its hooks into me. Once it did, it was in constant rotation. This was the closest thing to a new Midlake record for me (and, having already heard a few tracks, I can guarantee that Midlake's upcoming release, The Courage of Others, will be on this list next year.)
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I can't understand why I haven't seen this record on anyone else's Best of 2009 list -- it is consistently catchy, brilliant, beautiful and surprising.
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Within the first five minutes of listening to this record in January 2009, I knew it was destined for a spot on my Best of 2009 list. Yep, here it is.
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I don't know whether this record is calculated or sincere, but it really doesn't much matter to me. A delight from start to finish.
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I love the direction Phoenix has been going in the past few years, and this is their strongest record yet.
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This record has been in constant rotation, too. Fun, fun and more fun.
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Challenging and thrillingly original.
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Their first record, Melody A.M., is one of my all-time favorites. Junior is an outstanding effort, as well, with several memorable guest vocalists. Nearly docked a spot for the ugliest sleeve of the year.
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Eclectic and twisted, yet accessible.
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This record just barely missed my Top 10 -- melodies which will stick in your head for weeks and weeks.
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Far stronger than their earlier records -- not a bad track to be found.
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The saddest music news of the year for me was the unexpected death of Telefon Tel Aviv's Charlie Cooper just as this, their latest (and likely final) record, was released. It is lovely and elegiac and a fitting, if unintended, epitaph.
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ROCK in ALL CAPS. Noisy and fun.
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Their best record to date -- The Thermals have been consistently releasing the catchiest punk-pop of the decade. Great live band, too.
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So many of these records could easily have made my top 10 -- case in point: this one.
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I just adore Tahiti 80, and their latest release is every bit as bouncy and sugary as you'd expect.
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I really enjoy their minimalist Young Marble Giants feel.
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A remarkable return to form for the Manics. I'd more or less written them off for the past 13+ years -- nothing they'd released after Everything Must Go merited more than a single spin for me -- yet, this record is powerful, cohesive and thought-provoking. If you miss the sound of The Holy Bible-era Manics, this is the record for you. Docked a spot or two for Nicky Wire's dreadful lead vocal on the closing song, "William's Last Words."
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This spot could easily have gone to Erlend Øye's other band, Kings of Convenience -- but I find I prefer his solo work and his work with The Whitest Boy Alive.
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Not quite the tour de force that their debut was, but I would listen to Inara George sing the phonebook.
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Thanks to my pal Dave for introducing me to this thoroughly insane Prog-meets-Power Pop record, which its creator describes as a 'concept album about a kingdom of robots who are attacked by the humans who originally created them because they possess a magnetic force that keeps harmony in society that the humans want back for themselves'!
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While I think it's unlikely that Mew will ever top their previous record, And The Glass Handed Kites, there's plenty to love about their latest effort. Plus they are the most dynamic live act out there.
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A supremely lovely outing by one of the enduring talents of the past 30 years. Seeing her perform at World Cafe Live was one of the highlights of my year.
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More catchy melodies than you can shake his shtick at.
You can download all 25 tracks as a .zip file here.
2 comments:
HEY this wasn't the list you put out initially!!!!!
have you heard 'modes of transportation vol 1 by spooky ruben? it's one of the best pop albums ever. seriously.
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